
Ruth Medjber Meets the Horslips
Archives of Horslips musical news.
An overnight blaze has destroyed the building which once housed the Astoria Ballroom in Bundoran, County Donegal.
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The building had been closed since 2006 when part of it was used as a bar.
Eamon Carr has been a significant figure in the Irish artistic and cultural scene for many years. In the late 1960s he co-founded Tara Telephone, the music and poetry group of the Dublin beat scene.Tara Telephone published everyone from Marc Bolan to Allan Ginsberg, Brian Patten, Seamus Heaney, Pearse Hutchinson, Eilean Ni Chuilleanain, Brendan Kennelly, Adrian Mitchell, Pete Brown in their magazines and broadsheets. The group also ran recitals. Among those who read with Tara Telephone, in addition to Eamon and Peter Fallon were Phil Lynott and Roger McGough. With Jim Fitzpatrick, the group also produced specially designed posters with artwork and poems combined. One of these posters with Eamon's poem 'A Tale of Love' was exhibited in the Tate Gallery, Liverpool, Summer of Love: Art of the Psychedelic Era Exhibition in 2005 which also toured in Germany and Austria.

You see Connor, myself and Arthur had been in a band togethr in the 1980's, Adored by Millions. Arthur was the drummer, Connor the lead singer and myself playing guitar.Arthur of coarse went on to fame and fortune in the world of comedy writing, with Fr Ted the big one that really took the world by storm/
I hadn't seen him since around 1988, so it was great to meet up again at the book launch on Tuesday night.
Barry Devlin, he of Horslips fame and later creating U2 videos offically launched the book, with Declan Lynch, the author then reading some excerpts from it.
The books takes a comic and satirical look at the old folk, men living in modern Ireland, especially in regard to their choice, or lack of ,TV viewing on RTE our national broadcaster.
Funny it is, as with anything Lynch or Matthews put their attentions to can only be. Afterwards we chatted with Barry Devlin recounting old tales and yarns form the great days of the Horslips gigs around the country. Nice, down to earth guy he is too.
Horslips were a bunch of seriously talented musicians and that comes out in these recordings. What also becomes evident very quickly is the strength of the songs. Allowed to breathe a little they sound so well crafted and it is most intriguing to see the breadth of their twelve albums given the same template as opposed to the very Celtic sound of early albums and universal commercialism of the later years. It leads the songs into timelessness.
Sometimes it takes someone we consider an outsider to see us for who we really are. It's definitely true in the case of this song, where five guys from Ireland perfectly sum up the spirit of the United States as a country with this 1979 classic.
Horslips were a bunch of seriously talented musicians and that comes out in these recordings. What also becomes evident very quickly is the strength of the songs. Allowed to breathe a little they sound so well crafted and it is most intriguing to see the breadth of their twelve albums given the same template as opposed to the very Celtic sound of early albums and universal commercialism of the later years. It leads the songs into timelessness.
Sometimes it takes someone we consider an outsider to see us for who we really are. It's definitely true in the case of this song, where five guys from Ireland perfectly sum up the spirit of the United States as a country with this 1979 classic.
OMAGH band The Horslypse will pay tribute to 70's Celtic rock super group Horslips, at Strule Arts Centre on Saturday, September 8. This young band are set to raise the roof of the Arts Centre with their extensive repertoire of 40 songs which spans the entire Horslips catalogue.
Back in 2004 organ player Michael Rafferty formed the idea of bringing together a group of musicians for one performance in tribute to the band. As the idea began to gather realistic potential, Ryan O'Sullivan was approached and soon recruited as the group's guitar player. As word spread about the possibility of a tribute band forming, it became apparent that a number of other musicians, who cited Horslips as a main influence, were interested.
A KEY member of Blackburn's chart-topping 60s band The Four Pennies has died of pancreatic cancer aged 63.
Fritz Fryer, born David Roderick Carney Fryer on December 6 1944 in Revidge, died suddenly in hospital after an operation near his home in Lisbon, Portugal.
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They toured the Lancashire area in the early 1960s before signing for Phillips records and playing with the Beatles in The Cavern Club.
The group's name came after a meeting above the Blackburn music shop owned by Mary Reidy, the shop being situated on Penny Street where it is still located today as "Reidy's Home of Music".
The name was chosen as a more commercial alternative to the "Lionel Morten Four".
They found their greatest success with ballads like "Juliet," which Fritz co-wrote with Mike Wilsh, and knocked the Searchers from the top of the charts in the spring of 1964.
The group fell apart in the autumn of 1966 after achieving another five top 20 hits and working with producer John Franz, who also worked with Dusty Springfield and the Walker Brothers.
After The Four Pennies, Fritz established the group Fritz, Mike & Mo, with Maureen Edwards and Mike Deigham before becoming a record producer for the groups Clannad, Horslips, Motörhead, and Stackridge.
A KEY member of Blackburn's chart-topping 60s band The Four Pennies has died of pancreatic cancer aged 63.
Fritz Fryer, born David Roderick Carney Fryer on December 6 1944 in Revidge, died suddenly in hospital after an operation near his home in Lisbon, Portugal.
...
They toured the Lancashire area in the early 1960s before signing for Phillips records and playing with the Beatles in The Cavern Club.
The group's name came after a meeting above the Blackburn music shop owned by Mary Reidy, the shop being situated on Penny Street where it is still located today as "Reidy's Home of Music".
The name was chosen as a more commercial alternative to the "Lionel Morten Four".
They found their greatest success with ballads like "Juliet," which Fritz co-wrote with Mike Wilsh, and knocked the Searchers from the top of the charts in the spring of 1964.
The group fell apart in the autumn of 1966 after achieving another five top 20 hits and working with producer John Franz, who also worked with Dusty Springfield and the Walker Brothers.
After The Four Pennies, Fritz established the group Fritz, Mike & Mo, with Maureen Edwards and Mike Deigham before becoming a record producer for the groups Clannad, Horslips, Motörhead, and Stackridge.