
Title pages and two panels featuring Horslips from this 1993 cartoon history of Irish music. Seán Lennon has also done a work on Irish Gothic writers that I'd love to get my hands on.
Archives of Horslips musical news.

Singer-songwriter Emm Gryner hails from Canada, but she looks to the Emerald Isle for inspiration on Songs Of Love And Death, interpreting material from an eclectic mix of Irish acts.
The end results are rather hit-and-miss. There are a handful of forgettable mis-steps – maudlin piano versions of The Corrs’ ‘Breathless’ and Ash’s ‘Shining Light’ strip the originals of their pop dynamism, while Gryner’s slight-but-pretty voice lacks the depth and darkness to withstand the violent, gothic churn of The Virgin Prunes’ ‘Bau – Dachong’.
There is also plenty to enjoy on the album, though. A classy vocal performance, and some sprightly programming inject much-needed personality into The Thrills’ ‘Deckchairs And Cigarettes’ (that old expression about silk purses and sows’ ears springs to mind), while her rendition of Horslips’ ‘Dearg Doom’ replaces the original’s legendary guitar riff with some creepy, breathing-over-your-shoulder organ, removing any traces of rock bluster and adding a twisted PJ Harvery-esque menace. Elsewhere, Gryner plays up the melodic qualities in Therapy?’s ‘Nowhere’, re-casting it as a languid, campfire singalong.
Kilian Murphy
Rating: 6 / 10
A two-minute glide through Johnny's hypnotic guitar playing in the Epic that is Furniture at the National Stadium, 1973
For guitar fans, though, it is Furniture that stands out. A beautiful song written by keboardist/piper Jim Lockhart about growing up and leaving home, it is alchemically transformed into a masterpiece by Lockhart's mournful flute intro, CHarles O'Connor's hypnotic mandolin playing and Fean's heart-wrneching solo, first a resigned lament, then a scorching, pounding on the heart in the crescendo. It would be the finale for any other band, but not Horslips. After lightweight versions of Can't Fool the Beast and More Than You Can Chew, Eamonn Carr's shimmering cymbals herald the greatest Irish rock track ever, Dearg Doom...